




Heart's followup to their phenomenally successful debut LP continues their curious marriage of bursting-at-the seams hard rock and reflective, soft acoustic music. Understanding their meteoric rise is not that difficult -- lead singer Ann Wilson, with her urgent, often explosive vocals, is the closest rock has to a female counterpart of Zeppelin's Robert Plant (and anyway, Lord knows, we need many more women in rock & roll). Led Zeppelin influences abound, from Wilson's "Summer-of-My-Smiles" phrasing on "Dream of the Archer" down to guitarist Roger Fisher's Page-ish intro on "Go On Cry" and his ferocious riffing on "Barracuda" and the title track. The latter are the roughest and best tracks on record.
Heart's acoustic work is simply no match for their hard stuff; "Archer," with its mesermizing double-tracked mandolins, is the only nonrocker that works. The rest function as little more than diversions. The group also suffers from a lack of material; "Go On Cry" is simply some fancy guitar work fortified by a few wails from Wilson, yet it is the longest track on the record.
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- Billy Altman, Rolling Stone, 6-30-77.
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- Billboard, 1977.
Little Queen continued the arena-rock formula of Heart's debut album, streamlining the bombast of Led Zeppelin into a glossy, pop-friendly but tough variation of hard rock. And with material as catchy as "Barracuda" and "Little Queen," it didn't seem like the band was treading water -- it seemed like they were using their strength to the best of their abilities. * * * *
- Stephen Thomas Erlewine, The All-Music Guide to Rock, 1995.
Although less focused than the debut Dreamboat Annie, Little Queen brings more of what made Heart a groundbreaking arena rock band, with legendary workouts such as "Barracuda" and the title track powering the airwaves for years to come. * * * *
- Eric Deggans, Musichound Rock: The Essential Album Guide, 1996.
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