Made In Japan
Released: April 1973
Chart Peak: #6
Weeks Charted: 52
Certified Platinum: 10/13/86
Deep Purple have had a rough time gaining and retaining the status of being Kings of the Heavy Metal Set, and with the release of their last album, Who Do We Think We Are?, many critics rejected the fawnish fivesome for (1) trying to step out of their league with electronic-cum-Yes gizmos and melodic lines or (2) staying within the confines of their initial blockbuster, Deep Purple In Rock. If you're expecting something new in terms of either approach or material from Made In Japan, you will be severely dissapointed, but if you're a diehard fan of the group and not too interested in any great diversivication from their old style, Made In Japan is an assured treat. For Made In Japan is Purple's definitive metal monster, a spark-filled execution of the typical Purple style.
Unlike Five Live Yardbirds or Humble Pie - Rocking the Fillmore, Deep Purple deems it unnecessary to play any new material on their live albums. The live versions of all the songs are played at a much quicker pace than they were in the studio. So when "Strange Kind of Woman" or "Lazy" comes over the radio, the average listener will be able to jump up and say, "How come they're playing those Deep Purple records so fast?" only to be astounded when the Osaka audience's applause appears at the end of the song. This album was originally intended to be released only in the United Kingdom, but when hundreds of thousands of copies of the import started selling in America at ten bucks a shot, Warners decided to get on the case and released it just a few months after Purple's last LP.
- Jon Tiven, Rolling Stone, 5/24/73.
One of the world's premier rock groups offers up a double set consisting of live recordings done during their tour of Japan last summer. The set consists primarily of elongated versions of familiar tunes, which serves to give the listener an idea of how the band members handle themselves in concert. Highlights include Jon Lord's keyboard work, vocals of Ian Gillan, and Ritchie Blackmore's biting guitar. Many bands lack something in concert, but this set only accentuates the group's already strong reputation. Best cuts: "Highway Star," "Smoke On The Water," "Space Truckin'."
- Billboard, 1973.
Not only could they kick ass in the studio, they could stir up a hornet's nest on stage too. This double-album (one CD) set recorded in Japan includes most of their best material ("Highway Star," "Smoke on the Water") and pushes the metal envelope even further. Ritchie Blackmore is in peak form throughout. * * * *
- Tom Graves, The All-Music Guide to Rock, 1995.
"Smoke on the Water," "Space Truckin'" and "Highway Star" are highlights of Made in Japan, a molten live album that also features Ian Gillan's piercing, tortured screams on "Child in Time." * * * *
- Gary Graff, Musichound Rock: The Essential Album Guide, 1996.
As the United States pummeled North Vietnam to the Paris negotiating table, Deep Purple unleashed an aural cannonade in the shape of their live double album. Having toured America during the summer, they visited Japan, where the local label pressed for a live set to satiate a fanbase that sang along to every word over three August nights in Osaka and Tokyo.
Purple insisted that engineer Martin Birch oversee the recording. Ian Gillan, who had been suffering with a throat ailment, was "ashamed" of his vocals, but his assessment was harsher than his tones. The set was issued without overdubs and demonstrates the raw majesty of Deep Purple at the peak of their powers.
It appeared in the UK partly to stem the bootleg market. Imports sold so well in the United States, it was issued in spring 1973 and hit No. 6, making it their highest-charting album Stateside. By then, Made In Japan was confirmed as a classic.
Each track is a massive, melodramatic vesion of its studio counterpart. "Highway Star" opens with furious keys, guitar, and percussion melding into a sonic storm topped by Ian Gillan's primal screams. His poignant vocal on "Child In Time" provides respite before the swagger of "Smoke On The Water" and "Strange Kind Of Woman." Guitarist Ritchie Blackmore and keyboardist Jon Lord space out on "Lazy" solos, while "The Mule" is a showcase for the virtuosity of Ian Paice.
The behemoth "Space Truckin'" -- 20 minutes of stratospheric mayhem -- rounds out what Rolling Stone dubbed "an assured treat...Purple's definitive monster." Hear hear!
- Tim Jones, 1001 Albums You Must Hear Before You Die, 2005.
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