Vices marks the latest step in the career of one of America's more noteworthy and consistent singles bands. And like most albums released by bands of this type, it contains one or two potentially strong singles, a couple of left-field surprises and a great deal of mediocre filler.

Numbers such as "Eyes Of Silver" and "Road Angel" return successfully to the formula that made "China Grove" and "Long Train Runnin'" the deserving hits that they were -- featuring clean, audible vocals, cohesive though unadventurous instrumentation, and the kind of punchy, upbeat melodies that Top 40 radio thrives on.

The albums' strongest cut is the least Doobie-like of all: "Another Park, Another Sunday" is an engaging ballad, built around a nifty hook chorus, with some very tasteful, simple guitar interludes. Instantly appealing, it could easily top both Pop and M.O.R. playlists if given the opportunity.

On the remaining cuts, however, Vices is a pretty dull affair. Several attempts at formula Doobies rave-ups fall short because of their numbing sameness, and this ultimately points out the band's most severe limitation -- the lack of a consistently fine songwriter. Neither Pat Simmons nor Tom Johnston, each of who authored about half the album's songs, seems capable of consistently writing material of the quality of the band's singles.

The band is instrumentally competent but hardly dynamic, and no one performer stands out above the rest to provide focus. The guitarists rarely stray from a series of pat licks, the vocals are samey but pleasant and the occasional foray into Latin rhythms comes off about as peppery as instant mashed potatoes. In any event, Vices will probably give the growing number of Doobie Brothers fans enough to sustain their interest until the inevitable and anticipated live album comes.

- Alan Niester, Rolling Stone, 5/9/74.

Bonus Reviews!

A fine set from this versatile band, highlighted by Tom Johnston's distinctive lead vocals and fine lead guitar. As always, there are a number of potential singles in the LP, and the group continues its justifiable reputation as a "goodtime" band. Highlights include "Down in the Track," "Eyes of Silver" and "Spirit."

- Billboard, 1974.

The Doobies are smart enough and good enough to have it both ways. They can play tightly enough to come up with one AM hit after another, but loosely enough to make albums that appeal to a broader audience. Solid professionals, they blend bar-band roots with R&B influences and the Allman Brothers' and Grateful Dead's instrumental complexity. They play with enthusiasm, sing well together, and make refreshingly rough-sounding albums. They also strive too hard to sound soulful and are sometimes repetitious, if seldom trite. What Were Once Vices won't change the face of rock music, but it's an easy record to have fun with, made by a band with an attitude toward music that suits their talents.

- Jon Landau, Rolling Stone, 6/6/74.

Apart from the tight "Black Water," the Doobie Brothers' follow-up to their breakthrough The Captain and Me was a tepid affair, lacking the strong material of the previous album. * * *

- William Ruhlmann, The All-Music Guide to Rock, 1995.

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