Past, Present and Future
Released: May 1974
Chart Peak: #133
Weeks Charted: 14
This ambitious concept album by veteran English folkie Al Stewart attempts the near impossible: a chronological evocation of 20th century Western history, mingling fact, legend and fantasy and culminating with dire prophecies. Despite the grandiosity of the concept, two-thirds of the album works. Stewart has done his historical research, and the scenes and events on which he chooses to meditate -- President Harding alone in the White House in 1921; the death of Hitler antagonist Ernst Roehm in 1934 -- provide provocative catalysts for his poetic imagination.
But unfortunately Stewart closes his work with the ten-minute "Nostradamus," a modern interpretation of the French mystic's prophecies from his own time through the Seventies. What should have been a climactic finale is merely a series of oracular clichés sandwiched between overly long guitar breaks. While Stewart's reveries of past and present are credible, like most mystic mongers his futuristic summary is trite and pretentious.
- Stephen Holden, Rolling Stone, 6-20-74.
Exceptionally well done set from long time British folk star. Stewart has a pleasing voice to go with his writing talents, particularly on cuts such as "Old Admirals" and the nine minute "Nostradamus," a striking story of a 16th century prophet done at differing tempos and featuring excellent guitar work from Stewart. Stewart is not quite rock and not quite folk, and is certainly one of the more refreshing voices to come along in sometime.
- Billboard, 1974.
On Past, Present & Future, Al Stewart began to reach his artistic fruition, as he crafted a lush, winding song cycle about the writings of Nostradamus, highlighted by the majestic "Nostradamus." * * *
- Daevid Jehnzen, The All-Music Guide to Rock, 1995.comments powered by Disqus
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