Released: March 1979
Chart Peak: #20
Weeks Charted: 39
Certified Gold: 9/11/79
Joe Jackson looks very sharp indeed on this head-turning debut album that not only crackles with the vivacious sonic vigor of mid-Sixties Merseybeat, but also makes explicit (even more than the Clash or the Police) the New Wave/reggae connection. In the process, Jackson comes on like a feisty cross between Billy Joel and Elvis Costello, and even pulls off an uncanny Keith Relf impersonation. Not bad for a Royal Academy of Music graduate.
Cut live in the studio and perfectly captured by David Kershenbaum's crisp, lucid production, Look Sharp! is a stripped-down pean to spontaneous combustion, from the neo-Yardbirds raveup of "One More Time" (complete with dead-ringer Relf-ian warblings and recherché harp playing) through the vintage Beat-Boom wallop of "Got Time" to the Rockpile-style pummeling in "Throw It Away."
Even though "Is She Really Going Out with Him" cops its title from the Shangri-Las and "Pretty Girls" opens with a quote from Manfred Mann's "Do Wah Diddy Diddy," Jackson is no cloddish revivalist. Instead, the LP's most engaging characteristics are its pervasive Caribbean consciousness -- partially invoked by the smoky lope of "Fools in Love," but instantly apparent in such other reggae-tinged tracks as "Pretty Girls" and the punchy "Sunday Papers" -- and his sometimes acidulous social commentary. In "Sunday Papers" ("If you wanna know 'bout the bishop and an actress.../If you wanna know 'bout the stains on the mattress"), he sounds almost as fed up as Billy Joel, while avoiding Joel's terrible tendency toward bombast.
- Kurt Loder, Rolling Stone, 5/31/79.
Jackson is a young English singer/songwriter of the Elvis Costello school of sensitive new wave songsters. Jackson sings with a higher voice, his music is not as compressed and taut, and he doesn't sound as angry as Costello, but the same elements of solid but sparse instrumentation, a somewhat declamatory style in the singing and sense of late '70s and early '80s frustration is present in the work of both artists. Backed only by guitar, bass, and drums, Jackson plays piano and harmonica. Best cuts: "Sunday Papers," "Throw It Away," "Pretty Girls," "Baby Stick Around."
- Billboard, 1979.
- Robert Christgau, Christgau's Record Guide, 1981.
New wave was punk for the masses and it never really caught on, but Jackson's brand, particularly as exemplified on Look Sharp! was about as popular as it got, with "Is She Really Going Out With Him?" included here, being a major hit for him. Joe Jackson is a calculated musician of talent but little exposed soul. Still, this recording is filled with bright, catchy music and is a prime example of the seventies new wave movement. The sound on the disc is very bright, at times to the point of harshness at high volume, and the sound stage is somewhat confined. Other than that, it is clear and clean. B
- Bill Shapiro, Rock & Roll Review: A Guide to Good Rock on CD, 1991.
Hyperactive new-wave rock overlaid with the intelligent, caustic world view of a man as angry as any punk, but far more perceptive. Includes the hit "Is She Really Going Out with Him?" * * * * *
- William Ruhlmann, The All-Music Guide to Rock, 1995.
Look Sharp! presents hyper and bitter pop with a good beat. Jackson rails with intelligence and inspiration against numerous targets, scoring direct hits with the ugly-guy opus "Is She Really Going Out With Him?" and the vituperative white reggae of "Sunday Papers." * * * * 1/2
- Allan Orski, Musichound Rock: The Essential Album Guide, 1996.
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