You're Gonna Get It!
Tom Petty and the Heartbreakers
Released: May 1978
Chart Peak: #23
Weeks Charted: 24
Certified Gold: 7/7/78
Tom Petty and the Heartbreakers, released last year, was a debut album that declared almost nothing, but intimated all over the place. The music was intricate and deft, with spooky hints of everyone from J.J. Cale to the Guess Who, all played very close to the vest. Petty himself lived up the the "Mystery Man" title of one of the songs, practicing a terse and elliptical romanticism, always just out of reach. Anything more explicit might have made him banal: his very elusiveness was what gave the record most of its tantalizing, unsettling charm.
On You're Gonna Get It!, Petty has shed some -- but not all -- of his cloaks. "Magnolia," the most straightforward love song he's yet done, maintains the mystique: "Then she kissed me and told her name/I never did tell her mine." But by the song's end, it's the girl who's forgotten the singer, while he's left remembering her. Everything's open-ended enough to make you want more.
Petty omits all narrative signposts from his lyrics, depending instead on cryptic, repeated catch phrases and the doomy shifts of the music to flesh out his images. On "You're Gonna Get It," the story is left mostly untold. Instead, a stray piano vamp here, a drumbeat there, and jagged guitars slipping in and out of focus build to create a brooding, violent tension, while the singer sneaks through the cracks in the music. Even during the LP's most upbeat interludes, the aura of undefined menace -- coolly accepted as a fact of modern life -- is always palpable in the background.
- Tom Carson, Rolling Stone, 9/7/78.
"...might sound strange/Might seem dumb," Tom warns at the outset, and unfortunately he only gets it right the second time: despite his Southern roots and '60s pop-rock proclivities, he comes on like a real made-in-L.A. jerk. Onstage, he acts like he wants to be Ted Nugent when he grows up, pulling out the cornball arena-rock moves as if they had something to do with the kind of music he makes; after all, one thing that made the Byrds and their contemporaries great was that they just got up there and played. Thank God you don't have to look at a record, or read its interviews. Tuneful, straight-ahead rock and roll dominates the disc, and "I Need to Know," which kicks off side two, is as peachy-tough as power pop gets. There are even times when Tom's drawl has the impact of a soulful moan rather than a brainless whine. But you need a lot of hooks to get away with being full of shit, and Tom doesn't come up with them. B
- Robert Christgau, Christgau's Record Guide, 1981.
Not quite as strong as the debut, You're Gonna Get It exhibited a denser, Rickenbacker-heavy guitar sound. Petty's voice was practically buried in the mix, particularly on the rockers. Nevertheless, this album does have some great songs, particularly "I Need To Know" and "Listen to Her Heart." Each of the first two CDs clocks in at around thirty minutes' playing time. It would've been nice if Petty were true enough to his well-advertised principles (concerning giving consumers value for their money) to fit the first two albums on one disc when he re-released them on his own Gone Gator label. * * *
- Rick Clark, The All-Music Guide to Rock, 1995.
You can't miss with You're Gonna Get It! * * * *
- Gary Graff, Musichound Rock: The Essential Album Guide, 1996.
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