Released: January 1974
Chart Peak: #3
Weeks Charted: 35
Certified Gold: 1/22/74
Hotcakes, Carly Simon's best album, contains more fun than profundity. Its relaxed quality seems more attuned to her nature than the occasionally ponderous production style of earlier albums. And while it may lack the No Secrets blockbuster, "You're So Vain," it is on the whole, a more stylish and enjoyable album.
Although Simon continues writing about her childhood, most of Hotcakes is devoted to songs of love, marriage and the pursuit of happiness. She's at her best when balancing an engaging innocence with sly sophistication, as on three fine cuts, "Forever My Love," "Think I'm Gonna Have a Baby" (the last enhanced by her wry sense of humor). Less effective when she becomes too self-conscious, a few cuts display the uncorrected flaws that marred earlier work: "Older Sister" is too coy; "Grown-up," too precious.
Two special tracks mark Hotcakes as a step forward. "Mockingbird" (of all things) may be the album's most convincing love song and, with James Taylor helping out, rocks joyously through one chorus after another. "Haven't Got Time for the Pain," co-written with Jacob Brackman, is her best song to date, and may prove to be the album's sleeper, something of a tough "Killing Me Softly." I only wish the rhythm section came through with greater depth -- her voice and the song could have easily coped with that. Paul Buckmaster's arrangement is as enchanting and effective here as his others are throughout the LP. He now appears to be the very best arranger in the business.
Hotcakes isn't that deep, but it's honest. Carly Simon never apologizes for writing about herself or the well-to-do background that has been so gratuitously criticized. Instead, she has made an album that brings out her strengths and hides her weaknesses. As she sings on "Mockingbird," she's learned how to "...ride with the tide and go with the flow." The best thing about Hotcakes is that she makes us do the same.
- Jon Landau, Rolling Stone, 2/28/74.
Hotcakes holds up well and represents an intelligent approach to commercial record making. Her past albums were serious-sounding with playful overtones; Hotcakes is playful-sounding with some serious overtones -- a balance that best suits her for the time being. But lest she is mistakenly stereotyped as a mere light artist, "Think I'm Gonna Have a Baby," "Forever My Love" and especially "Haven't Got Time for the Pain" are substantial songs and performances, superior to almost everything else she has so far recorded. A provocative record, Hotcakes leaves me wondering where she will go next.
- Jon Landau, Rolling Stone, 6/6/74.
"You're So Vain" left a nice afterglow -- as Ellen Willis says, it proves that rock and roll is so democratic that even a rich person can make a great single. But except for "Mockingbird" (buy the forty-five if you must) the album's most interesting moment occurs when Simon whistles. Need I add that her whistling is flat musically and epistemologically? C
- Robert Christgau, Christgau's Record Guide, 1981.
A glowing, pregnant Carly Simon smiles out from the cover of Hotcakes, one of her biggest selling albums, which featured the gold single "Mockingbird," a duet with her husband James Taylor that effectively remade the old Inez and Charlie Foxx hit and bested it on the charts. The album also included another hit, "Haven't Got Time For The Pain," as well as "Misfit," in which a wife implores her carousing husband to come home, and "Think I'm Gonna Have A Baby," which celebrated the joys of same. With such tracks, Hotcakes was an autobiographical concept album that defined domestic bliss at a time when Simon's listeners also were catching their breaths and turning inward. * *
- William Ruhlmann, The All-Music Guide to Rock, 1995.
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