DiscReet DS 2175
Released: March 1974
Chart Peak: #10
Weeks Charted: 43
Certified Gold: 4/7/76
- Gordon Fletcher, Rolling Stone, 6/6/74.
With his previous Overnite Sensation LP still running strong on the chart, the veteran rock innovator follows with an even more accessible album. Seemingly the missing commercial element in Zappa's earlier career was in working with his own oddball group rather than the great studio stalwarts he is now recording with. Zappa's lyrics are grotesque as ever, and his music is as uncompromising, but the music does not get overly dense or formless now. Best cuts: "St. Alfonzo's Pancake Breakfast," "Don't Eat the Yellow Snow," "Stinkfoot."
- Billboard, 1974.
Disillusioned acolytes are complaining that he's retreated, which means he's finally made the top ten, but that's just his reward for professional persistence. If anything, the satire's improved a little, and the title piece -- an improvisation with Jack Bruce, Jim Gordon, and rhythm guitarist Tony Duran -- forays into quartet-style jazz-rock. Given Frank's distaste for "Cosmik Debris" you'd think maybe he's come up with something earthier than Mahavishnu, but given his distaste for sex you can be sure it's more cerebral instead. B-
- Robert Christgau, Christgau's Record Guide, 1981.
Apostrophe is Zappa's only gold-selling Top Ten album, featuring the satiric "Don't Eat the Yellow Snow," along with other parodic songs in the same style as Over-Nite Sensation. * * * *
- John Floyd, The All-Music Guide to Rock, 1995.
Not necessarily one of Zappa's best albums, Apostrophe is certainly among his best-known, thanks in large part to the FM rock staples "Cosmik Debris" and the suite compromising "Don't Eat the Yellow Snow" and "St. Alphonso's Pancake Breakfast." Apostrophe was Zappa's sole gold record, and the only one to crease the Top 10. * * * 1/2
- Daniel Durchholz, Musichound Rock: The Essential Album Guide, 1996.
The most commercial album from this scrambled genius may not be his zenith, but his mediocre is better than many others' best. Revealing his avant-garde leanings and compositional competence, the most underrated guitarist ever retains his art-rock integrity while deftly joining the absurd with kick-ass riffs for a witty workout. It's slightly more accessible, but like all of his intellectual music, it's an acquired taste. * * * * *
- Zagat Survey Music Guide - 1,000 Top Albums of All Time, 2003.
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